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Pick of the Week
Pick of the Week

For Where I Work in issue 110, editor and publisher Elaine W. Ng headed to the technicolored Chiang Mai studio of Mit Jai Inn, where the artist concocts his own paints, including a white pigment that he calls “magic powder,” and creates canvases of riotous colors. Read the full article.

ISSUE 110

SEP/OCT 2018

Issue 110
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Current Issue
Editor's Letter

Dragons, Hydra and the 21st Century

Also available in:  Chinese
Dragons, Hydra and the 21st Century

Back in 1993, when ArtAsiaPacific published its first print edition, the Internet had just broken out of its shell as the World Wide Web and was still a duckling learning to swim in the waters of global communication. 

Profiles

Double Time

Also available in:  Chinese
Double Time

New York-based conceptual artist Wong Kit Yi shares a website, apartment and body with her business manager Ali Wong. 

Features

Future Cities

Also available in:  Chinese
Future Cities

Urban dispatches from five artists and writers

in 2050.

Features

Future Markets

Also available in:  Chinese
Future Markets

International gallerists speculate on buying, selling and distributing art in 2050.

Features

Young & Emerging: New Narratives

Young & Emerging: New Narratives

In 2009, three graduate students rented a musty, water-damaged basement in Seoul and invited guests to the space.

Reviews

Systems
Lin Tianmiao

Also available in:  Chinese
Systems

In the 1970s and ’80s, Chinese avant-garde artists showed their work in apartment spaces to evade intervention by government authorities. 

Reviews

Crashing
Lee Bul

Also available in:  Chinese
Crashing

A work catching fire and forcing the cancellation of a preview would seem an inauspicious start to any exhibition. 

Where I Work

Mit Jai Inn

Also available in:  Chinese
Mit Jai Inn

Perhaps the best-known artist in Thailand is one the rest of the world has barely heard of. 

Want to read more about the 53 countries covered by ArtAsiaPacific? 

Purchase Almanac XIII, a compendium of the most significant art events of 2017 and a look ahead at what’s next in 2018.

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