R
E
V N
E
X
T
For Future Cities—one of three anniversary-exclusive Features, published in issue 110—Heman Chong, Tallur LN, Ahmed Mater, Liu Chuang and Zian Chen as well as Kang Sumi speculate on what cultural life might look like in various cities around the world in the year 2050. Read the article here.
Dragons, Hydra and the 21st Century
Back in 1993, when ArtAsiaPacific published its first print edition, the Internet had just broken out of its shell as the World Wide Web and was still a duckling learning to swim in the waters of global communication.
Double Time
New York-based conceptual artist Wong Kit Yi shares a website, apartment and body with her business manager Ali Wong.
Future Markets
International gallerists speculate on buying, selling and distributing art in 2050.
Young & Emerging: New Narratives
In 2009, three graduate students rented a musty, water-damaged basement in Seoul and invited guests to the space.
Systems
Lin Tianmiao
In the 1970s and ’80s, Chinese avant-garde artists showed their work in apartment spaces to evade intervention by government authorities.
Crashing
Lee Bul
A work catching fire and forcing the cancellation of a preview would seem an inauspicious start to any exhibition.
Mit Jai Inn
Perhaps the best-known artist in Thailand is one the rest of the world has barely heard of.
Want to read more about the 53 countries covered by ArtAsiaPacific?
Purchase Almanac XIII, a compendium of the most significant art events of 2017 and a look ahead at what’s next in 2018.
